Before the concert and during intermission, guests can enjoy the outdoor, tented Symphony Lounge, where they can indulge in delicious sandwiches, salads, desserts, coffee, cocktails, and fine wines from The Michero Family. The Pasadena Symphony has designed a vibrant experience for music lovers, social butterflies, and anyone looking for a memorable night out. It’s a program that promises to be a true tour de force, and a rare opportunity to witness the rise of a prodigious genius.īut the music won’t be the only thing on offer. 2 alongside one of Beethoven’s most celebrated works, the “Eroica” Symphony. At just 13 years old, he won the prestigious International Tchaikovsky Competition, and since then, he has become a true sensation, hailed by Der Standard as a catalyst for “a world piano revolution.”Īnd now, Malofeev is set to bring his electrifying talent to Pasadena, where he will perform Rachmaninoff’s Piano Concerto No. Malofeev’s meteoric rise in the classical music world has been nothing short of astonishing. 2, accompanied by the Pasadena Symphony under the baton of Rebecca Tong, Resident Conductor of the Jakarta Simfonia Orchestra. The acclaimed piano prodigy Alexander Malofeev will take the stage for a performance of Rachmaninoff’s Piano Concerto No. This echoes the advice jazz master John Scofield said he received at the start of his career from Miles Davis: that musicians need to learn to “play with space”.Alexander Malofeev courtesy Pasadena Symphony and PopsĬlassical music lovers, mark your calendars! A world piano revolution is coming to the Pasadena Symphony on March 18, 2023. Still, over the course of the evening, the songs which worked best were often those where Alexander was more spare, almost minimalist, in contrast to the flurries of notes of other works. And Davis showed his usual dexterity, moving effortlessly from traditional jazz syncopation to more Afro-Cuban styles.Īlexander has always been a master of swing technique, with an ability to combine and transition among harmonies which has led others to compare him to Dave Brubeck and Oscar Peterson. There were songs where Funn held the melody and Alexander’s piano and keyboards worked in the background. Īlexander was ably supported throughout the set by a tight trio, of Kris Funn on bass and John Davis on drums. The one non-original work was a surprise: Bonnie Raitt’s “I Can’t Make You Love Me”. And last night, at The Dakota, he followed that trend by playing almost entirely original works - some from Origin, and others from earlier albums, Warna (2020) and Eclipse (2018). His sixth (!) album, Origin (which dropped last year with Mack Avenue Records), was his first made up entirely of original works. The question becomes, how do they follow up their attention-grabbing first act?įor Alexander, one thing that has definitely changed as he adjusts to being a “former prodigy” is that he has moved away from playing standards to writing and playing original compositions. They become simply another young adult who is very, very good at something, being compared to other comparably accomplished performers in the same field. The thing about prodigies, though - whether prodigies at music or mathematics or chess - is that at some point they “age out” of that category. (He would later accumulate two more nominations.) As a certified prodigy, Alexander garnered profiles in the New York Times and on 60 Minutes. Joey Alexander became an international sensation at 11 years old, playing jazz standards on piano like a seasoned veteran. At 12, performing at the 2016 Grammy’s, he was the youngest ever Grammy nominee. The faces of the Joey Alexander Trio, who performed Friday at The Dakota in Minneapolis.
0 Comments
Leave a Reply. |